{"id":7025,"date":"2025-06-24T18:00:35","date_gmt":"2025-06-24T15:00:35","guid":{"rendered":"https:\/\/test.sahaney.com\/?p=7025"},"modified":"2025-08-14T13:34:55","modified_gmt":"2025-08-14T10:34:55","slug":"karcigar-makami","status":"publish","type":"post","link":"https:\/\/www.sahaney.com\/en\/karcigar-makami\/","title":{"rendered":"Karc\u0131\u011far Makam\u0131 (a mode in Turkish Classical Music)"},"content":{"rendered":"
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It is one of the thirteen simple modes (makams) of Turkish music and is estimated to have a history of 500 to 550 years.<\/p>

Karc\u0131\u011far Ney Taksimi – Ahmet \u015eahin<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFinal note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The final note is D\u00fcg\u00e2h (A).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMelodic progression<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

It is a descending-ascending (inici-\u00e7\u0131k\u0131c\u0131) mode. It has rarely been used in a purely descending manner.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tScale<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

It is formed by adding a Hicaz pentachord on the Neva pitch to the Ushshak tetrachord starting on the tonic (Yeg\u00e2h) (Ushshak tetrachord + Hicaz pentachord on the 4th degree).<\/p>

\"\"<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDominant note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The Neva pitch is the junction point of the Ushshak tetrachord and the Hicaz pentachord. A semi-cadence with a Hicaz flavor is made on it.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tSecondary tonic notes<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The semi-cadence on the Neva pitch features a Hicaz flavor. As a result, auxiliary cadences are made on the \u00c7arg\u00e2h pitch using a Nikriz flavor and on the Seg\u00e2h pitch with a Huzz\u00e2m pentachord. The D\u00fcg\u00e2h pitch is already the full cadence pitch, which carries the Karc\u0131\u011far scale. Additionally, if one descends a whole tone from D\u00fcg\u00e2h to Rast, the flavor becomes Rast. The entire scale, however, is that of the simple S\u00fbzn\u00e2k makam. An auxiliary cadence is also made on the Rast pitch using the S\u00fbzn\u00e2k scale, which constitutes a brief modulation to the S\u00fbzn\u00e2k makam.<\/p>

\"\"<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tStructure<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

In the key signature, a koma flat is written for B, a bakiye flat for E, and a bakiye sharp for F.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNames of the makam notes<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The key pitches are D\u00fcg\u00e2h (A, La), Seg\u00e2h (B\u266d, Si\u266d), \u00c7arg\u00e2h (C, Do), Neva (D, Re), Hisar (E\u266d, Mi\u266d), Evi\u00e7 (F, Fa), Gerd\u00e2niye (G, Sol), and Muhayyer (A, La).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tThe yeden note<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

It is the G (Sol) pitch on the second line (R\u00e2st).<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tExpansion<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The Ushshak tetrachord based on the tonic (Yeg\u00e2h) is transposed symmetrically and identically onto the high tonic Muhayyer pitch (G, Sol), which also means extending the Hicaz pentachord on the Neva pitch (D, Re) into the scale of the Uzz\u00e2l makam.<\/p>

\"\"<\/p>

One of the notes in this extension, the High Seg\u00e2h pitch (C\u266f, Do\u266f), is used in ascending passages. In descending passages, High Seg\u00e2h is omitted and replaced by the S\u00fcnb\u00fcle pitch (B\u266d, Si\u266d). When these ascending and descending forms are considered side by side, it becomes evident that an approximate Hicaz scale is formed on the Neva pitch (D, Re). For this reason, it is accepted that the Karc\u0131\u011far makam expands with an approximate Hicaz scale built on Neva. The S\u00fcnb\u00fcle pitch is also used when ornamentation (upper melodic development) is performed on Muhayyer (A, La).<\/p>

Some Karc\u0131\u011far pieces, during the cadence, may omit the E\u266d (His\u00e2r) and F\u266f (Evi\u00e7) pitches and instead use E (H\u00fcseyn\u00ee) and F (Acem) pitches to cadentially resolve with a Bey\u00e2t\u00ee scale. However, this substitution is not mandatory.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMelodic progression<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\u00a0The melody begins around the strong Neva pitch. After wandering through the various flavors on both sides of the scale, a semi-cadence with a Hicaz flavor is made on this strong pitch. Meanwhile, necessary auxiliary cadences are also indicated where needed. If desired, by exploring the extended section, a full cadence is made on the D\u00fcg\u00e2h pitch using either the Karc\u0131\u011far scale or the Bey\u00e2t\u00ee scale.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tExample composition<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
\"\"<\/a>
Click to view the PDF\u2026<\/a><\/figcaption><\/figure>

Akordiyon \u0130\u00e7eri\u011fi<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

T\u00fcrk m\u00fbsikisinin on \u00fc\u00e7 basit makam\u0131ndan biri olup 500-550 y\u0131ll\u0131k bir ge\u00e7mi\u015fi oldu\u011fu tahmin edilmektedir. Karc\u0131\u011far Ney Taksimi – Ahmet […]<\/p>\n","protected":false},"author":1,"featured_media":7027,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[132,129],"tags":[],"class_list":["post-7025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basit-makamlar","category-makamlar"],"yoast_head":"\nT\u00fcrk Musikisinde Karc\u0131\u011far Makam\u0131 \u2013 Dizisi ve \u00d6zellikleri<\/title>\n<meta name=\"description\" content=\"T\u00fcrk musikisinde Karc\u0131\u011far makam\u0131n\u0131n tarih\u00e7esini, dizisini ve seyir karakterini detayl\u0131 olarak ke\u015ffedin.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sahaney.com\/en\/karcigar-makami\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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