{"id":6668,"date":"2025-06-12T21:08:58","date_gmt":"2025-06-12T18:08:58","guid":{"rendered":"https:\/\/test.sahaney.com\/?p=6668"},"modified":"2025-12-23T14:43:13","modified_gmt":"2025-12-23T11:43:13","slug":"mevlevilikte-ney-ve-mevlevi-ayini","status":"publish","type":"post","link":"https:\/\/www.sahaney.com\/en\/mevlevilikte-ney-ve-mevlevi-ayini\/","title":{"rendered":"The Ney and the Mevlevi Ritual in Mevlevi Tradition"},"content":{"rendered":"\t\t
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Yap\u0131lan ara\u015ft\u0131rmalar g\u00f6stermektedir ki en ilkel toplumlarda dahi m\u00fczik ve din i\u00e7 i\u00e7edir. \u0130nsan\u0131n ve de t\u00fcm kainat\u0131n hi\u00e7lik sahas\u0131ndan varl\u0131k sahas\u0131na intikali yarat\u0131c\u0131n\u0131n \u201cK\u00fcn!\u201d (Ol!) nidas\u0131yla, yani bir sesle ba\u015flam\u0131\u015ft\u0131r. Daha sonra ise insana \u00f6zel olarak \u201cElest\u00fc bi\u2019rabbik\u00fcm\u201d (Ben sizin Rabbiniz de\u011fil miyim?) nidas\u0131, Y\u00fcce Yarat\u0131c\u0131n\u0131n insan\u0131 muhatap kabul etmesidir.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Di\u011fer taraftan yarat\u0131lm\u0131\u015f ne varsa hepsinin sonu da tabiri caizse bir enstr\u00fcman\u0131n sesiyle; \u0130srafil (a.s.)\u2019\u0131n \u201cS\u00fbr\u2019a \u00fcfleyi\u015fiyle ger\u00e7ekle\u015fecektir. \u0130ki ses aras\u0131ndaki bu evrenin i\u00e7indeki en de\u011ferli varl\u0131k olan insan\u0131n, belki de i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 ilahi nefes dolay\u0131s\u0131yla [Onun (Adem\u2019in) \u015feklini tamamlad\u0131\u011f\u0131m ve ona ruhumdan \u00fcfledi\u011fim vakit siz de hemen onun i\u00e7in secdeye kapan\u0131n. Hicr29.] g\u00fczel sese kar\u015f\u0131 her zaman ilgisi olmu\u015ftur. Bu sebepler \u00e7er\u00e7evesinde dinin g\u00fczel sesten mahrum b\u0131rak\u0131lmas\u0131 s\u00f6z konusu de\u011fildir. Cami ve tekke musikimizin muazzam geli\u015fmi\u015fli\u011fi de bunun delili h\u00fckm\u00fcndedir. Sesin ruh ve madde \u00fczerindeki etkisi \u00fczerine yap\u0131lm\u0131\u015f bir \u00e7ok ara\u015ft\u0131rma da bize sesin g\u00f6r\u00fcnmez ama b\u00fcy\u00fck etkilerini g\u00f6stermektedir. Tabi ki bu yaz\u0131 bilimsel bir makaleden \u00e7ok \u015fahs\u0131ma ait bir deneme yaz\u0131s\u0131 h\u00fckm\u00fcnde oldu\u011fundan, bu bilimsel \u00e7al\u0131\u015fmalardan detayl\u0131 \u015fekilde bahsedemeyece\u011fiz.<\/p>

Musiki \u00e7evrelerinin de malumu oldu\u011fu \u00fczere Tekkeler halk nezdinde birer musiki yuvas\u0131 h\u00fckm\u00fcnde olup \u00f6zellikle Mevlevi tekkeleri konservatuar g\u00f6revi g\u00f6rm\u00fc\u015f ve bu durum y\u00fczy\u0131llarca devam edegelmi\u015ftir. S\u00fcphesiz ki Mevl\u00e2n\u00e2 Cel\u00e2leddin-i R\u00fbmi Hz. lerinin musikiye, T\u00fcrk Musikisi enstr\u00fcmanlar\u0131 i\u00e7erisinde de ney ve rebaba verdi\u011fi de\u011fer ve y\u00fckledi\u011fi anlam bu durumda olduk\u00e7a etkilidir. Mesnev\u00ee-i \u0219er\u00eef\u2019in kendisinin bizzat kaleme ald\u0131\u011f\u0131 ilk on iki beytinin ilk m\u0131sra\u0131nda neyden bahsetmesi, bu saza verdigi de\u011feri g\u00f6stermektedir. Bu beyti de \u015f\u00f6ylece payla\u015fal\u0131m:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Bi\u015fnev in ney \u00e7\u00fcn hik\u00e2yet m\u00ee-k\u00fcned
\n\nEz c\u00fcd\u00e2yih\u00e2 hik\u00e2yet m\u00ee-k\u00fcned
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\n\nAyr\u0131l\u0131klardan \u0219ik\u00e2yet etmede)<\/div>\n\t\t\t\n\t\t\t\t\t\t
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Mevlana Celaleddin-i rum\u00ee\u200b<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Bilindi\u011fi gibi\u00a0ney Mevlevilikte insan\u0131 temsil eder.<\/strong>\u00a0Neyin kam\u0131\u015f\u0131n\u0131n sazl\u0131ktan kesilmesi insan\u0131n d\u00fcnyaya gelip g\u00f6bek ba\u011f\u0131n\u0131n kesili\u015fini temsil eder. \u0130nsan v\u00fccudunda 9 adet d\u0131\u015far\u0131ya a\u00e7\u0131lan \u00e7ukur vard\u0131r. Neyde de 6 \u00f6nde, 1 arkada, 2 adet de ba\u015f\u0131nda ve ucunda olmak \u00fczere 9 adet delik mevcuttur. Kam\u0131\u015fl\u0131ktan kesilen ney, a\u00e7k\u0131s\u0131 yap\u0131ld\u0131ktan sonra yurdundan ayr\u0131lman\u0131n kederiyle iniltiler \u00e7\u0131karmaya ba\u015flar. \u0130nsano\u011flunun as\u0131l yurdu olan cennetten gurbet diyar\u0131 olan d\u00fcnyaya a\u011flayarak geli\u015fi bu temsille tam \u00f6rt\u00fc\u015f\u00fcr. \u00dcflendikce yanan ney her ge\u00e7en g\u00fcn daha yan\u0131k sesler \u00e7\u0131kar\u0131r. \u0130nsandan da a\u015fk ate\u015fiyle, ayr\u0131l\u0131\u011f\u0131n kederiyle yand\u0131k\u00e7a ho\u015f sesler, g\u00fczel s\u00f6zler \u00e7\u0131kmaya ba\u015flar. A\u015fk ate\u015finden yanan Mevl\u00e2n\u00e2\u2019n\u0131n t\u00fcm d\u00fcnyan\u0131n her yerine ula\u015fan \u00f6\u011fretileri bu sesin g\u00fczelli\u011fine \u00f6rnektir.<\/p>

Mevlevilikte ney anlay\u0131\u015f\u0131, dikkat edildi\u011finde Mevlevilik t\u00e2rikini tamamiyle ku\u015fatm\u0131\u015ft\u0131r desek yan\u0131lm\u0131\u015f olmay\u0131z diye d\u00fc\u015f\u00fcn\u00fcyorum. Yaz\u0131m\u0131z\u0131n ba\u015f\u0131nda aktard\u0131\u011f\u0131m\u0131z din-musiki ili\u015fkisinin, Mevlevi \u00e2yinlerinin hangi manalarla y\u00fckl\u00fc oldu\u011fu konusu \u00f6zelinde masaya yat\u0131r\u0131lmas\u0131, bu konunun anla\u015f\u0131lmas\u0131 a\u00e7\u0131s\u0131ndan elzemdir. Tabi ki bu akademik anlamda uzunca kaleme al\u0131nacak bir konudur. Biz burada \u00f6zetle ifade etmeye gayret edece\u011fiz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Mevlev\u00ee Ay\u00eeni<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Mevlevi Ayini<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Bir\u00a0Mevlevi ayini<\/strong>\u00a0\u201cselam\u201d ismi verilen d\u00f6rt ana b\u00f6l\u00fcmden olu\u015fur. Selamlardan \u00f6nce ayinin ba\u015f\u0131nda s\u0131ras\u0131yla Na\u2019t-\u0131 Mevl\u00e2na, kud\u00fcm darb\u0131 (kud\u00fcm vuru\u015fu), ney taksimi ve pe\u015frev k\u0131s\u0131mlar\u0131 bulunur. 4\u2019\u00fcnc\u00fc selam\u0131n ard\u0131ndan son pe\u015frev, son y\u00fcr\u00fck semai, ney haricindeki bir enstr\u00fcmanla yap\u0131lan son taksim ve a\u015fr-\u0131 \u015ferif k\u0131s\u0131mlar\u0131 mevcuttur. 1\u2019inci Selama kadar olan k\u0131sm\u0131n sembolizminden bahsetmemiz, neye y\u00fcklenen manay\u0131 a\u015fik\u00e2r edecektir. Y\u00fcce yarat\u0131c\u0131 evvela Peygamber Efendimiz\u2019in (s.a.v) nurunu yaratm\u0131\u015ft\u0131r. Bu sebeple ayini \u015ferif Efendimiz\u2019den bahseden, O\u2019nu metheden, O\u2019na sal\u00e2t-\u00fc selamlar bar\u0131nd\u0131ran Na\u2019t ile ba\u015flar.<\/p>

Ard\u0131ndan gelen kud\u00fcm darb\u0131 Alla hu Te\u00e2l\u00e2\u2019nin \u201cOI!\u201d emrini ifade eder. Sonras\u0131nda icra edilen ney taksimi ise yaz\u0131m\u0131z\u0131n ba\u015f\u0131nda zikretti\u011fimiz Hicr Suresi 29\u2019uncu Ayette ge\u00e7en il\u00e2hi nefesi temsil eder. Zira ney insan, neyzenin nefesi ise nefes-i \u0130l\u00e2hi\u2019dir. Uzunca icra edilen ney taksimi iniltilerle \u00e7ilelerle dolu d\u00fcnya hayat\u0131n\u0131 anlat\u0131r. Taksim sona erdi\u011finde Pe\u015freve ba\u015flan\u0131r. Pe\u015frevin sonunda \u00e7ok k\u0131sa bir ney taksimi daha yap\u0131l\u0131r ki bu taksim de \u0130sr\u00e1fil (a.s.)\u2019\u0131n S\u00fbra \u00fcflemesidir. Akabinde 1\u2019inci Selama giri\u015f yap\u0131l\u0131r ki o ana kadar topra\u011f\u0131 temsil eden siyah h\u0131rkalar\u0131yla deveran eden semazenler, S\u00fbr\u2019a \u00fcflenmesiyle h\u0131rkalar\u0131n\u0131 \u00e7\u0131kararak topraktan \u00e7\u0131karlar. H\u0131rkalar\u0131n\u0131n alt\u0131ndaki bembeyaz tennureleriyle, yani kefenleriyle mah\u015fer meydan\u0131na ad\u0131m atm\u0131\u015f olurlar.<\/p>

G\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere ney yaln\u0131zca bir m\u00fczik aleti olmay\u0131p muhte\u015fem derinlik ve yo\u011funluktaki bir felsefeyi de bo\u011fumlar\u0131n\u0131n duvarlar\u0131nda gizlemektedir. Tek g\u00f6z\u00fcn\u00fc kapatarak neyin i\u00e7 k\u0131sm\u0131na bak\u0131p\u00a0\u201cBunun i\u00e7i bombo\u015f.\u00a0Nas\u0131l ses \u00e7\u0131karabiliyorsunuz?<\/a>\u201c<\/strong>\u00a0diyenlere, bu yaz\u0131y\u0131 okutarak\u00a0\u201c\u0130\u00e7inin bo\u015f oldu\u011fundan emin misin?\u201d<\/span>\u00a0<\/strong>diye sorabilirsiniz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Muhammed T\u00dcRE<\/a><\/strong>
Bart\u0131n \u00dcniversitesi<\/a>
\u0130lahiyat Fak\u00fcltesi
\u0130slam Sanatlar\u0131 ve Dini Musiki \u00d6\u011fretim G\u00f6revlisi<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Yap\u0131lan ara\u015ft\u0131rmalar g\u00f6stermektedir ki en ilkel toplumlarda dahi m\u00fczik ve din i\u00e7 i\u00e7edir. \u0130nsan\u0131n ve de t\u00fcm kainat\u0131n hi\u00e7lik sahas\u0131ndan […]<\/p>\n","protected":false},"author":1,"featured_media":6670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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